Open Access Journals: Art & Research: Journal of Ideas, Contexts and Methods

Art & Research: Journal of Ideas, Contexts and Methods

Vol. 3:2

Editorial Something happened here

Alain Badiou Badiou discusses Incident at Antioch

Bik Van der Pol Art is either plagiarism or revolution something is definitely going to happen here

Anders Gullestad The Apostle of Disappointment Demand Everything!

Simon Critchley The Infinite Demand of Art

Vol. 3:1

Editorial Spinoza and Precarity

Thomas Hirschhorn The Headless Artist: An Interview

Marcus Steinweg Nine Theses on Art

Jonathan Lahey Dronsfield Outnotes for indiscipline

Gustav Metzger Vanishing Point

Ursula Biemann Counter-Geographies in the Sahara

Reviews

Amy Charlesworth on Ursula Biemann's Mission Reports

Matt Rodda on Jacques Rancière's The Emancipated Spectator

Vol. 2.2

Editorial A Gathering of Artistic Research

Arts Research: The State of Play

Jonathan Lahey Dronsfield:Theory as art practice

Jan Svenungsson: The Writing Artist

Roberta Lima: Thinking Praxis and Theory Inversely

Brendan Earley Meditations on Instrumental Rationality and Adorno while shopping

in Ikea

Jan Kaila: That Obscure Object of Desire

Felicitas Thun-Hohenstein: “Art Knowledge” at the Academy of Fine Arts Vienna

Daniel Jewesbury: Some problems with ‘research’ in UK Fine Art institutions

Alexandra p. Spaulding panic attack, 2007

Who Is Afraid of Artistic Research?

Introduction Lindsay Brown/Cornelia Sollfrank

Laurence Rassel: Notes from Field Workers

Dieter Lesage: Who’s Afraid of Artistic Research? On measuring artistic research output

Simon Sheikh: Objects of Study or Commodification of Knowledge? Remarks on Artistic Research

Ina Wudtke A portrait of the artist as a worker (rmx.)

Bryndis Snæbjörnsdóttir: Glazing the Gaze in a Human Animal Encounter

Mika Hannula: Catch Me If You Can: Chances and Challenges of Artistic Research

Mika Hannula: Interview with Jacqueline Donachie

Jacqueline DonachieWeight

Nameless Science

Henk Slager: Introduction

Sarat Maharaj: Know-how and No-How: stopgap notes on "method" in visual art as knowledge production

Morten Torgersrud: Photographing the Barents Region

Response: Tamar Zinguer

Jan Kaila: Photographicality

Response: George Smith

Matts Leiderstam: See and Seen – Seeing Landscape through Artistic Practice

Response: John Rajchman

Ronan McCrea: Sequences, Scenarios & Locations continued

Response: Felicitas Thun-Hohenstein

Ricardo Basbaum: Would you like to participate in an artistic experience?

Response: Gertrud Sandqvist

Irene Kopelman: Ubx Expression

Response: Grant Kester

Sarah Pierce: Epilogue: Ambivalence and Authority

Panel Discussion: Concerning Doctoral Studies: George Smith, Grant Kester, Mick Wilson

Irene Kopelman Ubx Expression 2

Kathrin Busch Artistic Research and the Poetics of Knowledge

Erik Andersson Fine Science and Social Arts

Peter McCaughey Crash and Burn

Vol.2:1 (2008)

Editorial

Preface

Five Lessons in Artistic Research

With and Around Jacques Rancière

Sophie Berrebi, Everything you wanted to know...

Jacques Rancière, Aesthetic Separation, Aesthetic Community

Stephen Wright, Behind Police Lines

Jonathan Lahey Dronsfield, Nowhere is aesthetics contra ethics

An Exchange with Jacques Rancière

Jacques Rancière and Indisciplinarity: An Interview

Sophie Berrebi, Jacques Rancière: Aesthetics is Politics

Audronė Žukauskaitė Imaginary Identities in Contemporary Lithuanian Art

Sean Snyder Optics. Compression. Propaganda. (i)(ii)

Jörg Heiser All of a Sudden... : An Interview

Dan Kidner Chris Evans: Socially Awkward

Chris Evans The Freedom of Negative Expression

Clara Ursitti The Phenomenology of Olfactory Perception: An Interview

Andrew Sunley Smith For a New Co-Efficiency in Art: An Interview

Brian O’Connell A Ghostly Reply to Jan Verwoert

Sarah-Neel Smith Nightcomers Istanbul Biennial

Vol. 1:2

Editorial Agonism, Appropriation, Anarchism

Chantal Mouffe Artistic Activism & Agonistic Spaces

Jan Verwoert Living with Ghosts: From Appropriation to Invocation in Contemporary Art

Michael Albert Ripple Effects: Art and Parecon interview

Oliver Ressler An Ideal Society Creates Itself: Venezuela and the Bolivarian Process

Art & The Political Seminar: Part 1

Art & The Political Seminar: Part 2

Introduction:

Rebecca Gordon-Nesbitt

David Bellingham

Shauna McMullan

Brian O'Connell Between Appropriation and Reconstruction: Lisa Oppenheim

Snæbjörnsdóttir / Wilson In conversation with Steve Baker

Review nanoq: flat-out and bluesome by Snaebjornsdottir / Wilson

End page from David Bellingham Re: Research

Vol. 1:1

Editorial Art in the Age of Institutional Data Collection

Simon Starling Autoxylopyrocycloboros, Cove Park Commission

Joanne Tatham The Slapstick Mystics with Sticks and Other Words
Lee Lozano Trying, Throwing, Thinking and Masturbating

Dena Shottenkirk Research, Relativism, and Truth in Art

Brian O'Connell Brian O'Connell

Melanie Carvalho Painting Expedition

Ross Sinclair Real Life Painting

GI Symposium

Painting as a New Medium

Round table discussion

Reviews

Tomorrow Belongs to Me. New Work by Jacqueline Donachie

Expedition. Melanie Carvalho

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Art & Research: Journal of Ideas, Contexts and Methods