Body, Space and Technology Journal

Body, Space and Technology Journal

01/01

ANNA BONSHEK
Transformations within the Gap: Liminality and Principles of Vedic Language Theory in Performance

SUE BROADHURST
Liminal Aesthetics

DAN FRIEDMAN
Performance as Revolutionary Activity: Liminality and Social Change

SILVIJA JESTROVIC
The Performer and the Machine: Some Aspects of Laurie Anderson's Stage Work

PETRA KUPPERS
Addenda? Contemporary Cyborgs and the Mediation of Embodiment

MILTON LOAYZA
Strobe Light Consciousness and Body Technology in the Theatre of Antonin Artaud

ANNA MISOPOLINOU
Ecstasy: A Source of Intimacy or Applications of the Dionysiac Model for Grotowski's Theatre

DEE REYNOLDS
Displacing 'Humans': Merce Cunningham's Crowds

ALEC ROBERTSON & JAMES WOUDHUYSEN
4D Design: Applied Performance in the Experience Economy?

CHUN-YI SHIH
Into the Blazing Light: Liminality in Joe Orton's What the Butler Saw

ZOFIA SLEZIAK
Liminal Spaces within a Contemporary Australian Arts Practice

PETER STAFFORD
Subliminal Voices from Nowhere

MISCHA TWITCHIN
What do we see in Theatre?

TRACEY WARR
The Informe Body

01/02

KIMBERLY BARTOSIK
Technogenderbody

SUE BROADHURST
Interaction, Reaction and Performance: The human body tracking project 

PHILIP STANIER
Blue Bloodshot Flowers: Text for Performance

BARRY EDWARDS
A Tele-Presence Experiment: Optik in Sao Paulo + London

JOSEPHINE MACHON
(Syn)aesthetics and Disturbance - A Preliminary Overview

HELEN PARIS
(Re)Confirming the Conventions - An Ontology of the Olfactory

PETER RUDNICK
Interfaces: Meeting Points for Improvisation and Composition

IAN CARR
Improvisation and Composition

FRANK GRIFFITH
'Nine Tales for Nonet' an improvisational exercise for nine musicians

COLIN RILEY
Tides (Interactive Music)

CHARLIE BEALE
Problems in Definitions of Composition and Improvisation in Jazz and Jazz Education

DARYL RUNSWICH
Notes for Improvisers

PHIL STANIER
Re:Location. The Use of Space in Contemporary British Theatre

02/01

JOHANNES BIRRINGER
Suite Fantastique

ROBERT WESCHLER, FRIEDER WEISS & JOSEPH BUTCH ROVAN
Seine hohle Form, a project report

ANTHONY PADGETT
Reconciling Binary Oppositions

KENT DE SPAIN
Come in and Make Yourself at Home : Colonization and the Body/Technology Interface

JEN WEBB
Beaches and Bodies

02/02

PETER M BOENISCH
Alice Croft, or: Transforming Performance in Internet Culture

JOHN J COOK
Filmic Kineticism in the work of DV8 Physical Theatre, Carbone 14 and LaLaLa Human Steps

ROB DOYLE
Definitions of Tempomorphic Performance

INGRID RICHARDSON & CARLY HARPER Corporeal Virtuality: The Impossibility of a Fleshless Ontology

FERNAND DO NASCIMENTO GONÇALVES
Performing the Trojan Horse: Laurie Anderson’s strategies of resistance and the “postmedia era”

SANJOY ROY
Technological Process

03/01

JULIA GLESNER
Internet Performances as Site-Specific Art 

KATHRYN FARLEY
Digital Dance Theatre: The Marriage of Computers, Choreography and Techno/Human Reactivity 

DR. ALEKSANDAR DUNDJEROVIC
The ‘Ubu Reconstructed’ project: Reconstructing text and culture

03/02

BARBARA BECKER
Marking and crossing borders: bodies, touch and contact in cyberspace

CORRINA BONSHEK
Deleuzian sensation and unbounded consciousness in Anna & Corrina Bonshek’s Reverie I (2002)

MARIA BEATRIZ DE MEDEIROS
Performance art and digital bodies (Corpos Informáticos)

ROSIE COOPER
Live Art and Subversion

STEVE DIXON
Futurism e-visited

ALLAN HARKNESS
Voicing Statues : The Sound Art of Juha Valkeapää

MARY RICHARDS
Ron Athey, A.I.D.S. and the Politics of Pain

04

MATTHEW GOUGH
Notation Reloaded: eXtensible Dance Scripting Notation

PETRA KUPPERS
Space Rules: Techno-Nomad Theatre

ISABEL VALVERDE
Blind Date: Developing a Multisensorial Interfacing Experience

MAIDA WITHERS
Dance of the Auroras – Fire in the Sky

05

SUE BROADHURST
Bioart: Transgenic Art and Recombinant Theatre

MICHAEL KENNEDY
SOUL SLAVES - the politics and ethics of the use of non-actors in the films of Francesco Rosi and Pier Paolo Pasolini 

GRETCHEN SCHILLER
Body-screenographies, jumping back to leap forward

FRANZISKA SCHROEDER
The Deleuze-ian/Guattarian Performance: performancing at n-1 dimensions

YUJI SONE
Sensory otherness in Laurie Anderson’s work

06/01

KATE ADAMS
The Threshold of the real: A Site for Participatory Resistance in Blast Theory's Uncle Roy All Around You (2003)

DANIEL MEYER-DINKGRÄFE
Cold Dark Soft Matter Research and Atmosphere in the Theatre 

RACHEL ZERIHAN
Intimate Inter-actions: Returning to the Body in One to One Performance

06/02 

ANDREW BUCKSBARG
Maintaining the Digital Embodiment

TESSA NEEDHAM
The Body in Contemporary Performance: a comparative and personal response to Nigel Jamieson's Honour Bound and Version 1.0's Wages of Spin 

NICOLAS WHYBROW
One Thing and Another: Tomoko Takahashi’s Crash Course@The University of Warwick

07/01

MARIA CHATZICHRISTODOULOU
[aka maria x]
Strategies of Sharing: the Case-study of Deptford.TV

DAVE HOLMES, PATRICK O'BYRNE AND PETER C. COYTE
M3S Squad: Considering Cyborgs for Future Sexual Health Prevention Programs

JOSEPHINE MACHON
Space and the Senses: the (syn)aesthetics of Punchdrunk's site-sympathetic work

NICOLÁS SALAZAR-SUTIL
Subversive identities: Ethno-techno and Gómez-Peña’s cross-cultural performance’

LIB TAYLOR
Performed Disembodiment in Duras's Fictional Spaces

07/02

MARCUS FOTH, HELEN KLAEBE AND GREG HEARN
The Role of New Media and Digital Narratives in Urban Planning and Community Development 

KERRY FRANCKSEN
Isadora as a means of composing: A detailed discussion of the potential implications of implementing new technologies within pedagogy 

ANNEMARIE KÜNZL-SNODGRASS AND SILKE MENTCHEN
Just-in-time Grammar
Writing an on-line programme: first time experiences 

SIMON MAHONY
Using digital resources in building and sustaining learning communities

ELIZABETH ANN MIKLAVCIC AND JIMMY MIKLAVCIC
InterPlay: Performing on a High Tech Wire
(Collaborative, Real-Time, Distributed, Surrealistic Cinema)

ADRIAN MOORE AND DAVE MOORE
Adapting to change: Working with digital sound using open source software in a teaching and learning environment

CESARE PASTORINO, TAMARA LOPEZ AND JOHN WALSH
The Digital Index Chemicus: toward a digital tool for studying Isaac Newton's Index Chemicus

PAUL STAPLETON
Dialogic Evidence: Documentation of Ephemeral Events

SARAH WHATLEY, PAUL ALLENDER AND ROSS VARNEY
Digitizing Siobhan Davies Dance

DEKE WEAVER
The Palimpsest Project

08/01

BRYCE LEASE
Gardzienice: Political Bodies in Social Transformation

VICTORIA PÉREZ ROYO
I, Myself and Me Again

LENA SIMIC
On the Issue of Belonging: Thinking through Networks and Generations

DAVID PETERSEN
Changes in Expressive Movement with Actor Training

SARAH SIMPSON
“Bytes, Web Camera, Democratisation!” A Critical Examination of the Internet’s Impact upon Celebrity Studies

09/01

SUE BROADHURST & NEIL HARVEY
Natio et Gens: Venice Biennale 2009

KAREN LAUKE
The Placement of Sound in Artistic Contexts

EIRINI NEDELKOPOULOU
The Mediated Double Body: An Instance of Ab-sence and Alterity in Mixed-media Theatre

DANIËL PLOEGER
Heightened Awareness through Simulated Movement in Multimedia Performance

JONAH SALZ, ASAKO SOGA & MASAHITO SHIBA
Tradition meets Technohlogy: Integrating Japanese Noh & New Technology in Shakespeare’s Macbeth

JANICE SHAW
The Body of Text: Beverley Farmer's A Body of Water

09/02

LAURA BISSELL
Amorphous Bodies: The Uncanny in Performance

PETER A. CAMPBELL
Rich Video, Poor Video: Intermedial Greek Tragedy

NINA HEIN
Body Imagery in the Avant-gardes of the Twentieth Century

EMILY ORLEY
Performing place, recalling space: a site-specific installation/ constellation in London

ALLAN TAYLOR
Documentation of (Mis)Representation: Towards An Archival Future of the Performative Photograph


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