British Postgraduate Musicology

British Postgraduate Musicology

Volume 10

Rachel Foulds

International Conference for Students of Systematic Musicology 2008 Conference Report and Introduction

Martine Rhéaume

Stylistic Transitions in Vivier’s Emergent Musical Style 

Erica Bisesi and Giovanni Bruno Vicario

Factors Affecting the Choice of Performed Tempo 

Rafael Ferrer

Embodied Cognition Applied to Timbre and Musical Appreciation: Theoretical Foundation 

Aisling Kenny

Integration or Isolation? Considering Implications of the Designation ‘Woman Composer’ 

Miroslaw Majchrzak

Diversity of the Tonal Structure of Chopin’s Etudes 

Volume 9

Rachel Brawn

Sacred and Secular Elements of Female Personae in Old French Song

Eva Moreda Rodríguez

Fascist Spain and the Axis: Music, Politics, Race and Canon

Jonathan De Souza

Reassessing the Emergence of Indeterminate Music

Chiara Bertoglio

Giya Kancheli’s Exil: the Spirituality of Motifs

Appendices

Helen Gubbins

Conference review: Society for Musicology in Ireland, Fourth Annual Conference, 2006

Biographies

Notes on contributors

Volume 8

Carrie Churnside

Images of Crying in Bolognese Sacred Cantatas: the Jesuit Influence

Clare Hammond

The relevance of Edward Said’s theory of Orientalism to Mozart’s Die Entführung aus dem Serail

Holly Rogers

Beethoven’s Myth Sympathy: Hollywood’s Re-Construction

Richard Elliott

Reconstructing the Event: Spectres of terror in Chilean Performance

Volume 7

Yifat Fellner Simpson

The popular herculana in sixteenth-century Venetian text and music

Graham Griffiths

Fingering as compositional process: Stravinsky's Sonata sketchbook revisited

Kenneth Smith

Erotic Discourse in Scriabin's Fourth Sonata

Carla Whalen

Abject Tonality in Twelve-Tone Music

Volume 6

LIAS CHRISSOCHOIDIS

The 'Artusi-Monteverdi' Controversy: Background, Content, and Modern Interpretations

SINÉAD DEMPSEY

Hero or Has Been? Mendelssohn Reception in England and Germany in the 1840s

TIM JOHNSON

 'Shiny and new'? Rereading Madonna's Virgin

AARON C KEEBAUGH

 Idiomatic Tendencies in Selected Keyboard Works by Thomas Tallis

Volume 5

NICHOLAS REYLAND

Editorial: On Goals and Own Goals

TOM SERVICE

Playing a New Game of Analysis: John Zorn's Carny, Autonomy and Postmodernism

ELIZABETH HOLLAND

Henry Purcell's Dido and Aeneas: A Strategy for Historically-Informed Role-Allocation in the Twenty-First Century

HELEN JEFFRIES

The Court Reformed? Music in the Royal Household under Edward IV

MICHAEL SPENCER

Re-Placing the Dialectic:Notions of Compositional Procedure in James Dillon's German Tryptych

THOMAS MUIR

Ad Majorem Dei Gloriam: Catholic Church Music at Everingham and Stonyhurst 1839-1914

RACHEL COWGILL & CHRISTOPHER WINTLE

Correspondence

Volume 4

ALEXEI MONROE

Mille Plateaux: Deleuzoguattarian Praxis and Electronic Music

JONATHAN CHRISTIAN PETTY & MARSHALL TUTTLE

Tonal Psychology in Puccini's Turandot

ELENA KONSTANTINOU

Skalkottas's First Suite for Piano, First Movement (1936): From First Ideas to Realization

CATHERINE PARSONAGE

The Evolving Image of Jazz in Britain in Sheet Music

PAUL YATES

RMA 2000: Conference Report

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