Participations Journal of Audience and Reception Studies

Participations Journal of Audience and Reception Studies
Radbourne, Jennifer, Katya Johanson & Hilary Glow: 'Empowering Audiences to Measure Quality'
Snickars, Pelle & Patrick Vondreau (eds.): The Youtube Reader.  National Library of Sweden (2009). ISBN: 9789188468116.
Claessens, Nathalie & Alexander Dhoest: 'Comedy Taste: Highbrow/Lowbrow Comedy and Cultural Capital'
McDougall, Julian: 'Wiring the Audience'
Buckingham, David & Rebekah Willett (eds.): Video Cultures: Media Technology and Everyday Creativity.  Palgrave MacMillan (2009). ISBN: 9780230221864.
Buckingham, David et al.: 'The Impact of the Commercial World on Children's Wellbeing: Report of an Independent Assessement'.  Report to the Department of Culture, Media & Sport (2009).
Papadopoulos, Linda: 'Sexualisation of Young People Review'.  Home Office (2009).
Wood, Helen: Talking with Television: Women, Talk Shows and Modern Self-Reflexivity.  University of Illinois Press (2009). ISBN: 9780252076022.
Austin, Thomas: Watching the World: Screen Documentary and Audiences.  Manchester University Press (2007). ISBN: 0719076897, £50 hc.
Goldstein, Phillip & James L. Machor (eds.): New Directions in American Reception Study.  Oxford University Press (2008). ISBN 978-0-19-532087-9, pp. 379
Napier, Susan J.: From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West.  Palgrave Macmillan (2007). ISBN-13: 978-1-4039-6214-0, ISBN-10: 1-4039-6214-6, pp. 258, £45 hc.
Pomerance, Murray: The Horse Who Drank The Sky: Film Theory Beyond Narrative and Theory.  Rutgers University Press (2008). ISBN: 978-0-8135-4327-7, pp. 257, £61.50 hc. £24.50 pb.  
Plantinga, Carl: Moving Viewers: American Film and the Spectator’s Experience.  University of California Press (2009). ISBN: 978-0-520-25696-5, 280pp, £41.95 hc. £16.95 pb.
Weinstock, Jeffrey: The Rocky Horror Picture Show.  Wallflower Press (2007) Cultographies: Series Editors: Ernest Mathijs and Jamie Sexton, ISBN: 978-1-905674-50-3 (pbk), pp. 132
McConachie, Bruce: Engaging Audiences – a cognitive approach to spectating in the theatre.  New York and Basingstoke: Palgrave Macmillan (2008). ISBN-13: 978-0-230-60988-4, ISBN-10: 0-230-60988-0, pp. 248.
Wilson, Tony: Understanding Media Users: From Theory to Practice.  Wiley-Blackwell (2009). ISBN 978-1-4051-5567-0, pp. 219
Pagliassotti, Dru: 'Reading Boys' Love in the West'
Eilean Hooper-Greenhill: Museums and Education. London: Routledge (2007)  ISBN: 0415-37946-9 (pbk) pp. 231
Richard Sandell: Museums, Prejudice and the Reframing of Difference. London: Routledge (2007)  ISBN: 0415-36749-2 (pbk) pp. 226
Jonathan Gray, Cornel Sandvoss and C. Lee Harrington (Eds.): Fandom: Identities and Communities in a Mediated World. New York and London: New York University Press (2007) ISBN: 978-0814731826 (pbk) pp. 432
Barker, Martin and Ernest Mathijs (Eds.):Watching The Lord of The Rings: Tolkein’s World Audiences. New York/Oxford: Peter Lang (2008) ISBN 978-0-8204-6397-1 (hbk) pp. 297
Nayak, Anoop & Mary Jane Kehily Gender, Youth and Culture: Young Masculinities and Femininities. Basingstoke: Palgrave Macmillan (2008). ISBN: 978-1-4039-4977-6 (pbk) pp. 218
Sakr, Naomi (Ed): Arab Media and Political Renewal: Community, Legitimacy and Public Life. London: I. B. Tauris (2007). ISBN 978-1-84511-327-8, pp. 208
Taylor, Millie (Ed):British Pantomime Performance. Bristol: Intellect Books (2007). ISBN 978-1-84150-174-1 (pbk) pp. 178
Terranova, Tiziana: Network Culture: Politics for the Information Age. London: Pluto Press (2004). ISBN 0745317480, (pbk.) pp. 184
Nick Couldry, Sonia Livingstone and Tim Markham: Media Consumption and Public Engagement: Beyond the Presumption of Attention. London: Palgrave MacMillan (2007). ISBN 978-4039-8534-7 (hbk), pp. xiv + 247
Götz, Maya, Dafna Lemish, Amy Aidman & Jyesung Moon:Children and their Make-Believe Worlds of Fantasy: When Harry Potter Meets Pokémon in Disneyland. Mahwah, NJ: Lawrence Erlbaum (2005). ISBN: 0-8058-5192-5 (pbk) pp. 229
Mikkelsen, Nina: Powerful Magic: Learning from Children’s Responses to Fantasy Literature. New York: Teachers College Press, 2005.  ISBN: 0-8077-4595-2 (pbk) pp. 193
Jenkins, H.: Fans, Bloggers and Gamers: Essays on Participatory Culture. New York & London: New York University Press (2006). ISBN 0-8147-4285-8 (pbk), pp. 279
Sharpley-Whiting, T. Denean: Pimps Up, Ho’s Down: Hip Hop’s Hold on Young Black Women. New York & London: New York University Press (2007). ISBN 978-0-8147-4014-9 (pbk), pp. xviii + 187
Dell, Chad:The Revenge of Hatpin Mary: Women, Professional Wrestling and Fan Culture in the 1950s. New York: Peter Lang Press (2006). ISBN 0-8204-7270-0 (pbk), pp. xii + 172
Banaji, Shakuntala: Reading 'Bollywood': The Young Audience and Hinhi Films. Basingstoke: Palgrave Macmillan (2006).  ISBN 0-230-00172-6 (pbk), pp. xix + 208
Dudrah, Rajinder Kumar: Bollywood: Sociology goes to the Movies. New Delhi: Sage Publications (2006). ISBN: 0-77619-346-8, pp. 210
Hills, Matt: The Pleasures of Horror. London, Continuum (2005). ISBN 0-8264-5888-2 (pbk), pp. 250
Lally, Elaine: At Home with Computers. Oxford: Berg (2002). ISBN 1-85973-561-4 (pbk), pp. 246
Milly Williamson: The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy. London: Wallflower Press (2005).  ISBN: 1-904764-41-1 (pbk), pp. 212.
Melvyn Stokes & Richard Maltby (Eds): Hollywood Abroad: Audiences and Cultural Exchange. London, BFI (2004). ISBN 1-84457-051-7 (pbk), pp. 164
Philip M. Napoli: Audience Economics: Media Institutions and the Audience Marketplace. New York: Columbian State University Press (2003). ISBN 0231-12653-0 (pbk), pp. 235
Kelly Schrum: Some Wore Bobby Sox: The Emergence of Teenage Girls' Culture, 1920-1945. New York: Palgrave Macmillan (2004). ISBN 1-4039-6176-X (hbk), pp. xii + 209
Ernest Mathijs & Janet Jones  (Eds): Big Brother International: Formats, Critics and Publics. London & New York: Wallflower Press (2004). ISBN 1-904764-18-5 (pbk), pp. xvii + 261

Melvyn Stokes & Richard Maltby (Eds): Identifying Hollywood's Audiences: Cultural Identity and the Movies. London, BFI (1999). ISBN 0-85170-738-4 (hbk), 0-85170-739-4 (pbk), pp. v + 209
Glyn Davis & Kay Dickinson (Eds): Teen TV: Genre, Consumption and Identity. London, BFI (2004). ISBN 0-85170-999-0 (pbk), pp. viii + 197
Barker, Martin: 'A Response to Stephen Kline' (Read the original article: Stephen Kline)
Annette Kuhn: An Everyday Magic: Cinema and Cultural Memory. London, I. B. Tauris (2002). ISBN 1-86064-791 (pbk), pp. vii + 273
Vamsee Juluri: Becoming a Global Audience: Longing and Belonging in Indian Music Television. New York, Peter Lang Publishing (2003). ISBN 0-8204-5579-2 (pbk), pp. 155

Neil Blackadder: Performing Opposition: Modern Theater and the Scandalized Audience. Westpoint, Connecticut, Praeger (2003). ISBN 0-275-98056-1 (hbk), pp. xviii + 228
Susan Kattwinkel (Ed.): Audience Participation: Essays on Inclusion and Performance. Westpoint, Connecticut, Praeger (2003). ISBN 0-313-31671-6 (hbk), pp. xviii + 221

The St Louis Court Brief: Debating audience 'effects' in public
Kline, Stephen: 'Media Effects: Redux or Reductive?' - A Reply to the St Louis Court Brief
Mark Jancovich & Lucy Faire with Sarah Stubbings:The Place of the Audience: Cultural Geographies of Film Consumption. BFI Publishing (2003). ISBN 0-85170-943-5 (hbk), 0-85170-942-7 (pbk), pp. vi + 281
Kim Schrøder, Kirsten Drotner, Stephen Kline & Catherine Murray: Researching Audiences. London, Arnold (2003). ISBN 0-340-76275-6 (hbk), 0-340-76274-8 (pbk), pp. vii + 422
Go to the Participations Journal of Audience and Reception Studies Website (link)