Vol. 5, No. 1 - Transformations (Summer 2010)
From ‘Sorry Sorry’ to ‘That Banana’: the Subtitling of a Korean Music Video as a Site of Contestation in Taiwan by Chih-Chieh Liu, University of Surrey
Real Beauty Doesn’t Have To Try Like That: How I Got to Transform Cost into Value by Stephen Robins, University of Bristol
Minutiae, Mysteries and Magic: A Conversation with Little Bulb Theatre Company by Emer O'Toole, Royal Holloway, University of London
A Textual Analysis of Martin Crimp’s Adaptation of Anton Chekhov’s The Seagull: The Importance of Testimony and Relationship by Clara Escoda, University of Barcelona
Eye-Height: A Project in Pictures by Beatriz Cantinho, Edinburgh College of Art
Moving Uncertainties: Negotiating ‘Theatre in Movement’ and Field-work Research in the French Context by Eugénie Pastor, Royal Holloway, University of London
When the Body Becomes Too Much: Writing on Becoming-locust and the Spectacle of Theory by Paul Hurley, Independent Scholar
The Strokes: A Verse Drama in One Act by Chistopher O’Shaughnessy, Royal Holloway, University of London
Vol. 4, No. 2 - Mapping Performance (Autumn 2009)
A Cosmopolite’s Utopia: Limitations to the Generational Flemish Dance History Model by Lise Uytterhoeven
Theatre for Survival: Language and Cultural Preservation in the work of the Ladino Players by Mara Lockowandt
‘If Music Be the Food of Love’: An Acoustic ‘Fourth World’ in Ong Keng Sen’s Awaking by Marcus Cheng Chye Tan
‘Which Country Should I Love?’ Portrait of the Families by Cloud Gate Dance Theatre of Taiwanby Ching-yi Huang
Mika’s haka in Mika HAKA: Performing as the ‘Other’ by Mark Hamilton
Vol. 4, No. 1 - Staging Genders (Spring 2009)
Dialectical images of femininity by Kerstin Bueschges
Family Roles and Paternal/Maternal Genealogies within and between Psychophysical Performer Trainings and their Documentation by Alissa Clarke
Articulating the abject: Metamorphosis in Marina Carr’s The Mai by Shonagh Hill
Little (White) Women: Locating Whiteness in (De)constructions of the American Female from Alcott to Split Britches by Courtney Elkin Mohler
Unconventional Femininity in the work of Suzan-Lori Parks and Marina Carr by Siobhán O’Gorman
Staging Humanity in Cranberry: The Human Revelation of Joan Crawford by Matt Saltzberg
Vol. 3, No. 2 - Objects of Engagement (Autumn 2008)
Objects of Engagement:’ Conference Response by Roberto Sánchez-Camus, Nesreen Hussein and Grant Tyler Peterson
The Cabinet of Curiosities: Objects as Compositions by Bernadette Cronin
The Fan of Noh Theatre: Object of Encounter by Diego Pellecchia
Seeing through the Wall: Objectification between Resistance and Acceptance by Nesreen Hussein
Disturbing Objects: Making, Eating and Watching Food in Popular Culture and Performance Practice by Jenny Lawson
Gentlemen Still Prefer Blondes: The Persistent Presence of Marilyn Monroe Impersonators by Amanda Sue Konkle
Vol. 3, No. 1 (Spring 2008)
Richard Maxwell and the Paradox of Theatre by Theron Schmidt
N.F. Simpson and the "Theatre of the Absurd" by Neema Parvini
Mascots: Performance and Fetishism in Sport Culture by Mary C.Daily
Female Skateboarding: Re-writing Gender by Dani Abulhawa
A Queer Reading of Euripides' Bacchae by Natalia Theodoridou
Vol. 2, No. 2 - Receiving Reception (Autumn 2007)
Translating In? Brian Friel’s Translations in Irish-language Performance by Nóra de Buiteléir
Feeling Performance, Remembering Trauma by Patrick Duggan
The Reception of Oscar Wilde and Bernard Shaw in the Light of Early Twentieth-Century Austrian Censorship by Sandra Mayer and Barbara Pfeifer
Small Town Montréal: Critical Preconceptions and the (mis)Interpretation of Michel Tremblay’s Hosanna by Jim Ellison
Vol. 2, No. 1 - Theatres of Resistance (Spring 2007)
Confusing Gender: Strategies for resisting objectification in the work of Split Britches by Emily Underwood
Accusing and Engaging the Audience through Theatreform: Griselda Gambaro's Information for Foreigners by Selena Burns
Antonio or the Message: Bourgeois Conformism and the Dictatorship of the Colonels in Greece (1967-1974) by Philip Hager
Contextualising Reception: Writing about Theatre and National Identity by Marilena Zaroulia
The Literary Artist and Social Cohesion an a Multi-Lingual Setting: A Study Of Ola Rotimi’s If… and Hopes Of The Living Dead by Busuyi Mekusi
Vol. 1 No.1 (Autumn 2006)
Refugee Perspectives: The Practice and Ethics of Verbatim Theatre and Refugee Stories by Alison Jeffers
The Theatre of the Oppressed: an American Tradition? by Doug Hundley
The Private and the Public Wars: A Play by Martin Crimp by Vicky Angelaki
Both Here and Gone: Polish Individuation in Teatr Piesn Kozla’s Chronicles – A Lamentation by Bryce Lease
A Meta-criticism of Phyllis Nagy’s Reception in London: What do the Critics (Not) Want? by Marissia Fragou
Technique Development and African Dance in the UK: An Interview with Peter Badejo OBE by Kenechukwu Igweonu
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