Consciousness, Literature and the Arts
Vol. 11.3, December 2010
Cormac Power, Making Nothing Out of Something: Concepts of Nothingness, Sartre, and the Theatre of Peter Brook
Soubhik Chakraborty, Swarima Tewari and Gargi Akhoury, What do the fractals tell about a raga? A case study in raga Bhupali
William S. Haney II, Eugène Ionesco’s Rhinoceros: Defiance vs. Conformism
Alphabetical Archive
Serena Anderlini-D’Onofrio (3:1, April 2002) Grammars of Touch: Physical, Spiritual, and Erotic Bodies in Massage Therapy
Greg Andonian (2:1, April 2001) The Three Caves of European Identity: From critical to Creative Thinking
Greg Andonian (4:1, April 2003) The Symbolic Order of Architecture in the Information Age
Isabel M. Andrés (7:3, December 2006) “O Let’s Keep Together!” The Blurring of Individual Consciousness in Virginia Woolf’s Between the Acts
Stephan Atzert (6:3, December 2005) Concepts of Liberation: Schopenhauer between Freud, the Buddha and Idealist Aesthetics
James J. Balakier (7:3, December 2006) Thomas Traherne's "Thoughts" Poems and the Four Levels of Speech in Vedic Poetics
Krishna Barua(7:3, December 2006) The Androgyne : The ambiguity of existence in Patrick White’s The Solid Mandala and The Twyborn Affair
Alan Beck (1:2, July 2000) Cognitive Mapping and Radio Drama
Michael Betancourt (6:3, December 2005) Paranoiac-criticism, Salvador Dalí, Archibald and Superposition in Interpreting Double Images
Efrat Biberman (6:1, April 2005) The Self as Other
Walter Bilderback (4:3, December 2003) The Naomi Wallace Festival and 9/11
R.J.Bird (6:1, April 2005) Shakespeare as Mathematician : The Use of Iteration and Recursion in Much Ado About Nothing
Marcia Birken and Anne C. Coon (2:1, April 2001) The Pedagogical and Epistemological Uses of Analogy in Poetry and Mathematics
Lucy Bolton (8:3, December 2007) The Woman who saw The Man Who Cried: A Study of Female Consciousness On Screen
Anna Bonshek (5:1, April 2004) Reverie II—A Video Installation: Revelation, Consciousness and Peace
Thorsten Botz-Bornstein (8:2, August 2007)From “Ethno-Dream” to Hollywood: Schnitzler’s Traumnovelle, Kubrick’s Eyes Wide Shut and the Problem of “Deterritorialisation”
Christine Boyko-Head (3:2, August 2002) Mirroring the Split Subject: Jean Genet’s The Balcony
Per Brask (4:2, July 2003) The Reflective Actor
Per K. Brask (7:2, August 2006) ACTING AND ARCHETYPES : A point of departure
Peter Bray (10:1, April 2009) “But I have that within that passes show”: Hamlet’s Soliloquies as an Expression of Shakespeare’s Loss and Transformation
Lara Braitstein (5:2, August 2004) No Views is Good Views: A Comparative Study of Nagarjuna’s Sunyata and Derrida’s Différance
Troy Earl Camplin (7:2, August 2006) Literature as a Game: Game-Play in Reading, Creating, and Understanding Literature
Howard Cannatella (1:1, April 2000) Is Play Educationally Important in the Teaching of Art?
Bryan Carter, Joi Moore and Chris Amelung (1:3, December 2000) Seeing is Believing: Advanced Visualization and the Use of Virtual Reality in an African American Literature Course
Yuan-chin Chang (9:2, August 2008) Constructed Identities, the Medical Gaze and Social Power Spaces in Margaret Edson’s Wit
L.Cignoni, L.Godding, G.Salvoni, G.Turrini (4:1, April 2003) Peer-supported foreign language learning: a proposal
Natasha Conde (8:1, April 2007) Nothingness
Anne C. Coon and Marcia Birken (4:1, April 2003) Developing Analogical Thinking and Creativity in University Students
Emilie Crapoulet (8:3, December 2007) Consciousness and the Imagination in the Music of the French Impressionists
Edwin Creely (8:2, August 2007) Operating postmodernly—my intentional postmodern theatre
Jerri Daboo (8:3, December 2007) The Altering I/Eye: Consciousness, ‘Self’, and the New Paradigm in Acting
Gil Dekel (9:1, April 2008) “Waterised Words”: Exhibition exploring self-knowledge through art practice, as part of PhD research
Tal Dekel (8:3, December 2007) Center–Periphery Relations: Women’s Art in Israel during the 1970s, The Case of Miriam Sharo
Florian Demont (9:2, August 2008) The Expression of Self-consciousness in Kamla Das's “An Introduction”
Darren Domsky (2:2, July 2001) Dreaming with Descartes
Jane Duran (8:2, August 2007) Nepal and South Asian Buddhist Art: Appropriation of a Symbolic Tradition
Jane Duran (9:3, December 2008) Georges de la Tour and the Significance of Light
Jane Duran (11:1, April 2010) Mohenjo-Daro: The Origins of a Tradition
Vito Evola (6:2, August 2005) A Hermeneutic Model of Sacred Literature and Everyday Revelation
Osita C. Ezenwanebe (7:1, April 2006) Feminist Consciousness and Nigerian Theatre
Terry Fairchild (3:2, August 2002) Oedipus Rex: The Sins of the Father
Terry Fairchild (5:3, December 2004) Maharishi Vedic Science and Literary Theory
Terry Fairchild (10:1, April 2009) Infinite Correlation in Pynchon's Crying of Lot 49
Attilio Favorini (7:1, April 2006) The Remembered Present in Samuel Beckett and Gerald Edelman
Paul Fearne (10:2, August 2009) Nijinsky: Ballet, Schizophrenic Consciousness and Philosophy
Shannon Foskett (8:3, December 2007) Towards A Neuroaesthetics of Film: Eisenstein, Brakhage and Mantic Montage
Michael R. Fox (10:3, December 2009) Walter Pater, His Child, and His Plato
John Freeman (2:2, July 2001) Autobiographical Spectatorship
Vladimir Fomichov and Olga Fomichova (2:1, April 2001) A Many-Staged, Humanities-Based Method of Realizing the Thought-Producing Self of the Child
Olga S. Fomichova and Nadezhda V. Sidorova (4:1, April 2003) Recognition by the Child of a Transition Moment Fixed in a Picture
Sybille Fritsch-Oppermann (2:3, December 2001) Particularities and Universals, Ethics and Aesthetics – How Art Can Lead to Spiritual Experience
Dimple Godiwala and William S Haney II (5:2, August 2004) Editorial, Special Issue, Jacques Derrida's Indian Philosophical Subtext
Justin Good (5:3, December 2004) Why photographs are not more realistic than paintings
José Luis Guijarro (6:3, December 2005) IMAGINE : a likely way to find Art and Literature wherever they may hide
Tamara Gurtueva (5:3, December 2004) Man in the ontological space of the newest time
Fee Alexandra Haase (6:1, April 2005) Opening A colorful Lexico: The Relation between Synesthesia and the Production of Metaphors. Or: "Is reading synesthetic?"
Fee-Alexandra Haase (9:2, August 2008) ‘Unity’ and ‘Diversity’ as Paradigms of Cultural Theory: Diachronic Studies of the Terminology of the Concept of Communication in European History
Annemarie Hamlin (3:2, August 2002) Consciousness and Communication in Jewett’s The Country of the Pointed Firs
Anita Hammer (9:3, December 2008) Imagination and Memory in the Theatrical Place: An inquiry into Bachelard’s notion of “Material Imagination” encountering the theatrical event
William S. Haney II (5:1, April 2004) Frankenstein: The Monster’s Constructedness and the Narrativity of Consciousness
William S. Haney II (5:2, August 2004) Derrida’s Indian Literary Subtext
William S. Haney II (7:1, April 2006) Biotechnology and What Makes Us Human: Beyond the Final Frontier
William S. Haney II (10:1, April 2009) Philip K. Dick’s We Can Build You and Do Androids Dream of Electric Sheep?: The Effect of Limited Human Development
William S. Haney II (10:3, December 2009) Consciousness and the Posthuman in Short Fiction
Chris Hanley (7:2, August 2006) Beyond Calculation: Politics and Aesthetics in George Orwell
Jennifer Hansen (3:3, December 2002) Necessary Fictions: Memoir and Self-Making
Justin Harmon (10:2, August 2009) What Is It Like to Be Mysterious, Alienated, and Wildly Rich through Less Than Savory Means? Phenomenal Consciousness and Aesthetic Experience
Ralf Hertel (8:1, April 2007) The eye in the text: John Banville’s Frames (1989-1995)
Kensei Hiwaki (2:1, April 2001) Thought-Frame Enhancement for the Age of Digitized Globalisation
Kensei Hiwaki (4:1, April 2003) Innovative Education for Important Issues under Globalization
Patrick Colm Hogan (6:2, August 2005) Editor's introduction to the Special Issue on Literary Universals
Patrick Colm Hogan (6:2, August 2005) Literary Universals and their Cultural Traditions: The Case of Poetic Imagery
Peter Huk (5:2, August 2004) Derrida, A Renunciant? The Gift of the Bhagavad Gita in The Gift of Death
Christina Iluzada (10:3, December 2009) "Whelm'd in Deeper Gulps": Bipolar Disorder and the Poetry of William Cowper
Jude James (6:1, April 2005) BEYOND CONVENTION: Border Crossing From The Social Body To The Porous Body: The Porous Body As Ontological Site - Interface For A-Located Realities
Milan Jaros (4:2, July 2003) Onto-Poetic Signatures of Mathematical Analogy in Arts and Literature
Anwen Jones (1:3, December 2000) The crisis of French Symbolist drama
John Chris Jones (1:2, July 2000) human mind, the real theatre?
Kelly Jones (8:3, December 2007) Between Nature and Eternity: (Present)ing Absence in Theatrical Representations of Shakespeare as the Ghost of Hamlet
Richard Elfyn Jones (6:3, December 2005) The Metaphysics of Art-Works and Process. An examination of George Steiner’s Real Presences: Is There Anything In What We Say?
Ron Kaiser (8:1, April 2007) Pleasure and Pain: the Sublime in William Wordsworth and Giacomo Leopardi
Kalamandalam Radhika (1:1, April 2000) Dance and God Realisation
Geoffrey Kay (6:3, December 2005) Transcendence and Throwing: The Experience of Making Pottery
Christopher Kelen (3:1, April 2002) Consciousness and Poetry
Khan Farhadiba (9:3, December 2008) The Narrative Technique in Nabokov’s Pale Fire: An Analysis
Violetta Krawczyk- Wasilewska (4:3, December 2003) Post September 11: Oral and Visual Folklore in Poland as an Expression of the Global Fear
Christopher M. Kuipers (6:2, August 2005) The Diachronic Canon: Two Possible Universals in the Evolution of Literary Anthologies
Michael Larrass (1:1, April 2000) The Evolution of Awareness Parallels and Contrasts in the Bhagavad Gita and Macbeth
Carl Lavery and Ralph Yarrow (5:1, April 2004) Genet's Sacred Theatre: Practice and Politics
David Layton (11:2, August 2010) Male and Female Archetypes in Doctor Who
Lisa Lewis (1:3, December 2000) Adnabod Nid Gwybod: The Ghost and the Cloud (Perspectives on Performance and Identity)
Kimberly Mosher Lockwood (8:2, August 2007) Metaphor as Guided Experience: Metaphors and Situation Models
Malte Chr. Lyneborg (9:1, April 2008) Mindedness: The style-giving background condition for perception, understanding, interaction, and aesthetic experience
Andrew D Lyons (2:2, July 2001) Synaesthesia: A Cognitive Model of Cross-Modal Association
Ashley Majzels (9:1, April 2008) John Cage’s ‘Chance’ and Richard Foreman’s ‘Consciousness’: Performing the Sublime
John Marmysz (2:3, December 2001) Humor, Sublimity and Incongruity
John McClellan (10:3, December 2009) The Theatre and Civilisation
Jade McCutcheon (2:2, July 2001) Theatre - Re-assessing the Sacred in Actor Training
Jade Rosina McCutcheon (9:1, April 2008) Post Human Interactivity on the Global Stage: The Culture of Simulation
Daniel Meyer-Dinkgräfe (4:2, July 2003) Staging Consciousess: Updating Demastes
Daniel Meyer-Dinkgräfe (4:3, December 2003) Consciousness, Theatre and Terrorism
Evangelia Moula (11:2, August 2010) The emergence of female consciousness in Bildungsromane from contemporary Greece- representative instances
Susan Mower (11:2, August 2010) Peter Brook’s Mahabharata: An Intercultural Consciousness
Joseph Naimo (3:3, December 2002) Space-Time-Event-Motion (STEM) – a better metaphor and a new concept!
Barine Saana Ngaage (7:1, April 2006) Political-economic Consciousness: Songs of Mosop and Fowa
Barine Saana Ngaage (11:1, April 2010) Consciousness, Criminality and Responses to Kuru (tortoise) in Ogoni Tales
Daragh O’Reilly (1:3, December 2000) Who’s Writing Whom? The Implications of a Plural Self for the Creative Writing Process
Leonard Orr (8:2, August 2007) Transgression and Victim: Mnemic Traces in Conrad's Fiction
Anthony J. Palmer (5:1, April 2004) Consciousness and Varying Musical Systems
Anthony J. Palmer (10:1, April 2009) Unconscious Apprehension of Metapatterns Expressed Consciously Through Musical Form
Lisa Pavlik-Malone (8:1, April 2007) “Home IS Where the Cart IS”: Semantic Inflections of Self and Object
Lisa Pavlik-Malone (9:1, April 2008) “They’re All of Them So Lovely”: Semantic Effects of “Dollification” on Figurative Images of Women
Lisa Pavlik-Malone (11:1, April 2010) Into the Eyes of the “I Clown“: A Metaphor for the Subconscious Imagination
David Pendery (7:3, December 2006) Bringing Experience to Life and Life to Experience. Conscious Experience and Representation in Toni Morrison's Song of Solomon
Robert Pepperell (5:3, December 2004) Towards a Self-Aware Art
Robert Pepperell (10:2, August 2009) The Conscious Act of Looking at a Painting
Christopher Perricone (9:3, December 2008) Shakespeare’s Procreation Sonnets: a Darwinian view
David Petersen (1:1, April 2000) Creativity, Structure and Randomness
Jennifer Ewing Pierce (5:3, December 2004) The Actor-Problem: Live and Filmed Performance and Classical Cognitivism
Frances Piper (7:2, August 2006) Keeping Mum: Towards a ‘Voix Maternelle’ in Howard Barker’s Wounds to the Face
Paul Andrew Powell (6:3, December 2005) The Second Coming as an Emergent property of Global Semiosis
Teresa Prudente (11:2, August 2010) “To write is always to rave a little”: the hallucinatory point of view in Elizabeth Bowen’s and Virginia Woolf’ s writing
Gordon Ramsay (4:2, July 2003) Robotic Theatre In Extremis
Dian Duchin Reed (10:1, April 2009) The Wisdom of Shakespeare’s Fools
Debra Ripley (10:2, August 2009) Herman Melville’s Exploitation of Cognitive Features: Amasa Delano as Paradigm of Failure
Jennie Rothenberg (3:1, April 2002) Swallowing the Sky: Eugéne Ionesco and the Physiology of Happiness
Sébastien Ruffo (4:2, July 2003) The Phonostylistics of the Dramatic Character
Jessica Runde (8:1, April 2007) Ionesco beyond Absurdism
Alison Scott-Baumann and Christopher Norris (5:2, August 2004) Derrida and Indian Thought: prospects for an East/West dialogue? (A conversation between Alison Scott-Baumann and Christopher Norris)
Barbara Sellers-Young (3:2, August 2002) Breath, Perception, and Action: The Body and Critical Thinking
Barbara Sellers-Young (9:1, April 2008) Consciousness, Contemplation and the Academy
Simon Shaw-Miller (1:3, December 2000)Skriabin and Obukhov: Mysterium & La livre de vie The concept of artistic synthesis.
Simon Shaw-Miller (6:3, December 2005) Andy and John Get Ordinary: Ontological Issues in the 1960’s Work of Warhol and Cage
Ioana Sion (7:1, April 2006) The Shape of the Beckettian Self: Godot and the Jungian Mandala
John Vignaux Smyth (11:1, April 2010) Zizek's Violence
Stefán Snævarr (1:2, July 2000) Ibsen, our Contemporary
Nicole Szendy (2:1, April 2001) Art in Today's World
Nicole Szendy (4:1, April 2003) Illusion and creativity, where does fascination come from ?
Gregory Frank Tague (2:2, July 2001) The Peculiar Morality of the Artist
Leena Taneja (5:2, August 2004) Tracing Difference: The Subtext of Derridean and Gaudiya Vaishnava Theology
Aldo Tassi (1:2, July 2000) Performance as Metamorphosis
Grant Taylor and Nick Low (3:3, December 2002) Phantoms in the Corridor: Portal Systems in the Digital Mind
Susan Thompson (4:3, December 2003) The 1985 Artists' Brigades, Mexico City: An Account From the Streets
Dylan Trigg (5:1, April 2004) From the Divine to the Dissolute: Schopenhauer and Death in Venice
Craig Turner (9:2, August 2008) The Association Process in Stanislavski’s “Threshold of the Subconscious”
Jack Turner (5:1, April 2004) Dream Journey: An Approach to Pym
Linda Turner (2:1, April 2001) Using Artistic Expression to Overcome Computer Anxiety: A Productive Partnership
Linda Turner (4:1, April 2003) Genealogy: A Bridge on the Road Between Philosophical Inquiry and the Offerings of the Computer Age
Tere Vadén (2:3, December 2001) Dreamwork and the Subject - A Surrealist Interpretation
Shilpa Venkatchalam (8:1, April 2007) In Search of Definitions: Literature and Philosophy
Donald R. Wehrs (6:2, August 2005) Somatic Marking, Ethical Sense, and Practical Reason: The Political Economy of Literary Universals from Richardson and Austen to Dostoyevsky and Grass
William Weiss (1:1, April 2000) The Ego and the Self in Actor Training
William Weiss (7:3, December 2006) How do you apply “spirituality” in theatre training?
Gerda van de Windt (6:3, December 2005) Artistic Creativity: Sublime Expressions of Inner Body Wisdom
Michael Woods (8:3, December 2007) Some Remarks on Musical Meanin
Zhu Yanyan and Wang Quan (8:3, December 2007) A Lacanian Reading of Milkman
Iris M. Yob (10:2, August 2009) Response to Anthony Palmer, “Unconscious Apprehension of Metapatterns Expressed Consciously Through Musical Form”
Harry Youtt (4:3, December 2003) Artists of Denial and Avoidance after September 11, 2001. (A Very Unorthodox View from the U.S.)
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