Film-Philosophy Vol. 7-14

Film-Philosophy Journal Vol. 7-14

Vol 14, No 2 (2010) - Baudrillard and Film-Philosophy
Introduction - White Magic: Baudrillard and Cinema Jon Baldwin  PDF
Jean Baudrillard and Cinema: The Problems of Technology, Realism and History Gerry Coulter PDF
Dreams Rise in Darkness: The White Magic of Cinema David B. Clarke PDF
The Paradox of Film: An Industry of Sex, a Form of Seduction (Notes on Jean Baudrillard’s Seduction and the Cinema) Hunter Vaughan PDF
Terminal Indifference: The Hollywood War Film Post-September 11 Kim Toffoletti, Victoria Grace PDF
The ‘ABCs’ of B, Or: To Be and Not to Be B Alan Cholodenko PDF
The Shared Destiny of the Radically Other: A Reading of The Wizard of Oz William Pawlett, Meena Dhanda PDF
Vol 14, No 1 (2010)
Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales Steven Shaviro EPUB PDF
What is Film-Philosophy? Round Table David Martin-Jones AUDIO
Visual Alterity Abroad: Hegel through Birgit Hein's Baby I will Make You Sweat and La Moderna Poesia Randall Halle PDF
The Thought Specular: Kieslowski’s White and Streitfeld’s Female Perversions Frances L. Restuccia PDF
‘It’s the End of the World!’: The Paradox of Event and Body in Hitchcock’s The Birds Bruno Lessard PDF
Beyond Internalism and Externalism: Husserl and Sartre’s Image Consciousness in Hitchcock and Buñuel Gregory Minissale  PDF
Cannibalistic Capitalism and other American Delicacies: A Bataillean Taste of The Texas Chain Saw Massacre Naomi Merritt PDF
Logistics of Perception 2.0: Multiple Screen Aesthetics in Iraq War Films Patricia Pisters PDF
Simulation, Simulacra and Solaris Julian Haladyn, Miriam Jordan PDF
Vol 13, No 1 (2009)
'Occupy without Counting': Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne,R. D. Crano PDF
Hegel and the Impossibility of the Future in Science Fiction Cinema, Todd McGowan PDF
Godfathers and Sons: Tripping Over the Unconscious, Timothy O'Leary PDF
Consumer Ethics in Thank You For Smoking, Stacy Thompson PDF
Meanings and authorships in Dune, Tony Todd  PDF
Vol 12, No 1 (2008)
Icon of Fury: Claire Denis's Trouble Every Day, Jean-Luc Nancy PDF
Open Wounds: Body and Image in Jean-Luc Nancy and Claire Denis, Douglas Morrey PDF
The Practice of Strangeness: L'Intrus - Claire Denis (2004) and Jean-Luc Nancy (2000), Martine Beugnet
The Community According to Jean-Luc Nancy and Claire Denis, Anja Streiter PDF
Deconstructing Community and Christianity: 'A-religion' in Nancy's Reading of Beau travail, Laura McMahon PDF
Vol 12, No 2 (2008)
A Cyborg’s Testimonial: Mourning Blade Runner’s Cryptic Images, R. Pope PDF
Direct Address, Ethical Imagination and Errol Morris’s Interrotron, Alex Gerbaz PDF
When Robots would really be Human Simulacra: Love and the Ethical in Spielberg’s AI and Proyas’s I, Robot
Bert Olivier PDF
The Denazification of MH: The Struggle with Being and the Philosophical Confrontation with the Ancient Greeks in Heidegger’s Originary Politics, James Magrini PDF
Memory and Morals in Memento: Hume at the Movies, George Bragues PDF
Towards a Theory of Film Worlds, Daniel Yacavone PDF
Vol 11, No 1 (2007)
Reading the Dialectical Ontology of The Life Aquatic with Steve Zissou Against the Ontological Monism of Adaptation, Kirk Boyle PDF
Kuhle Wampe: Politics of Montage, De-montage of Politics?, Gal Kirn PDF
Hitchcock and Hume Revisited: Fear, Confusion and Stage Fright, John Orr PDF
Vol 11, No 2 (2007) - The Occluded Relation: Levinas and Cinema
Fragile Faces: Levinas and Lanzmann, Libby Saxton PDF
The Frozen Screen: Levinas and the Action Film, Reni Celeste PDF
Levinas, Nosferatu and the Love as Strong as Death, Colin Davis PDF
Re-viewing the Sexual Relation: Levinas and Film, Lisa Downing PDF
Mortal Ethics: Reading Levinas with the Dardenne Brothers, Sarah Cooper PDF
Beyond Ontology: Levinas and the Ethical Frame in Film, Sam B. Girgus PDF
To be or not to be is not the question – On Beckett’s Film, Simon Critchley PDF
Tarkovsky and Levinas: Cuts, Mirrors, Triangulations, Dominic Michael Rainsford PDF
Vol 11, No 3 (2007) - Encore: Lacan and Film
What is the Gift of Grace?: On Dogville, Lorenzo Chiesa PDF
The Politics of Gift-Giving and the Provocation of Lars Von Trier's Dogville, Dany Nobus PDF
Antiphusis: Werner Herzog's Grizzly Man, Benjamin Noys PDF
The Temporality of the Real: The Path to Politics in The Constant Gardener, Todd McGowan PDF
'How Very Lacanian': From Fantasy to Hyperreality in Basic Instinct 2, Mark Fisher PDF
Vol 10, No 1 (2006) - Reanimating the Auteur
The Principle of Revelation : Catherine Lupton (2005) Chris Marker: Memories of the Future, Eduardo Abrantes PDF
The Auteur as Imposter: Lisa Downing (2004) Patrice Leconte, Fiona Handyside PDF
Neither Personal nor Political: John Anderson (2005) Edward Yang, Brian Hu PDF
Godard Alone?: Michael Temple, James S.Williams and Michael Witt, eds. (2004) For Ever Godard, Katerina Loukopoulou PDF
Apprehending Beauty: Michel Chion (2004) The Thin Red Line, Ian-Malcolm Rijsdijk PDF
Re-remembering History in Contemporary Film: Pam Cook (2005) Screening the Past: Memory and Nostalgia in Cinema, Jonathan Wright  PDF
Vol 10, No 2 (2006) - Continental Film-Philosophy Today
Against Fetishism: The Moving Quiescence of Life 24 Frames a Second: Laura Mulvey (2006) Death 24x a Second: Stillness and the Moving Image, Maria Walsh PDF
Bodies that Matter: Vivian Sobchack (2004) Carnal Thoughts: Embodiment and Moving Image Culture, Douglas Morrey PDF
Pathology of the Photogram: Philippe Michaud (2004) Aby Warburg and the Image in Motion, Patrick French PDF
Cinema and Its Shadow: Mario Perniola (2004) Art and Its Shadow, Robert Sinnerbrink PDF
Essential Viewing: Bernard Stiegler (2001) La technique et le temps 3: Le temps du cinéma et la question du mal-être, Patrick Crogan PDF
Cut Together: Jean-Luc Nancy (2005) The Ground of the Image, Cara O'Connor PDF
Inscribing Cinema: Sylviane Agacinski (2003) Time Passing: Modernity and Nostalgia, Kristi McKim PDF
Mapping Film Studies: Symposium on Dominique Château’s Cinéma et philosophie,Thorsten Botz-Bornstein PDF
The Paradoxes of Rationality: Symposium on Dominique Château’s Cinéma et philosophie, Codruta Morari PDF
The Cinematic Agora: Symposium on Dominique Château’s Cinéma et philosophie, Paula C. Cunha Filho PDF
Ecce Homo: Žižek! (2005) and Derrida (2002), Edward R. O'Neill PDF
Vol 10, No 3 (2006)
Envisaging ‘Visualisation’: Some challenges from the international Lord of the Rings audience project, Martin Barker PDF
A Heideggerian Cinema? On Terrence Malick’s The Thin Red Line, Robert Sinnerbrink PDF
Vol 9, No 1 (2005) - Film Theory
Movie-made Memories, on Memory and Popular Film, edited by Paul Grainge HTML Rebecca Bell-Metereau
'No Theory' Theory, Anti-theory, and the Arts, on Wittgenstein, Theory and the Arts, edited by Richard Allen and Malcolm Turvey HTML Matt Lee
Potential Not To Be: Bersani and Dutoit's Forms of Being HTML Patrick ffrench
Theory as Criticism: Bersani and Dutoit's Forms of Being HTML Peter Caws
A Response to Patrick ffrench and Peter Caws HTML Leo Bersani, Ulysse Dutoit
Vol 9, No 2 (2005)
Film Beyond Metaphysics: On Wurzer's Filming and Judgment HTML Imre Szeman
Rethinking Cinema as Philosophy: On Wurzer's Filming and Judgment HTML Martin Donougho
Filming as the Art of Thinking: On Wurzer's Filming and Judgment HTML Fabienne-Sophie Chauderlot
The Film Theory to Come: On Wurzer's Filmisches Denken HTML Steve Choe
Filming Without Film: On Wurzer's Filmisches Denken HTML Jakob Hesler
Filming (In) Futures: A Response to the Film-Philosophy Special Issue HTML Wilhelm S. Wurzer
Unsettled Screens, on The Cinema of Latin America, edited by Alberto Elena and Marina Díaz López HTML Antonio Traverso
Passage to 'Franco-Asia', on East-West Encounters: Franco-Asian Cinema and Literature by Sylvie Blum-Reid HTML Florence Martin
The Passeuse?, a response to Florence Martin's review HTML Sylvie Blum-Reid
Same Old New German Cinema, on Julia Knight's New German Cinema: Images of a Generation HTML Amresh Sinha
Nowell-Smith Meets Visconti, Redux: The Old and the New, on the 3rd edition of Geoffrey Nowell-Smith's Luchino Visconti HTML Peter Brunette
'It Ain't Me Babe', a response to Brunette's review HTML Geoffrey Nowell-Smith
The Sight and Sound of Music, on Wendy Everett's Terrence Davies HTML Benjamin A. Schneider
Studying Early Film History, on Simon Popple and Joe Kember's Early Cinema: From Factory Gate to Dream Factory HTML Marshall Deutelbaum
An Early Cinema Textbook, on Simon Popple and Joe Kember's Early Cinema: From Factory Gate to Dream Factory HTML Richard Schellhammer
The Trouble with The Trouble with Men, on Masculinities in European and Hollywood Cinema, editied by Phil Powrie, Ann Davies, and Bruce Babington HTML Kenneth MacKinnon
In Search of Lost Children in Cinema and Western Society, on Emma Wilson's Cinema's Missing Children HTML Michael Abecassis
Vol 9, No 3 (2005) - Gigantic Visions of Mankind: Spectacular Effects and Digital Cinema
Hollywood Business, on Robert Blanchet's Blockbuster: Aesthetik, Oekonomie und Geschichte des Postklassischen Hollywoodkinos HTML Marina Sheppard
Lollywood Adventures, on Robert Blanchet's Blockbuster: Aesthetik, Oekonomie und Geschichte des Postklassischen Hollywoodkinos HTML Jacobia Dahm
Have You Taken Your Rorschach Test?, on The Matrix and Philosophy: Welcome to the Desert of the Real, edited by William Irwin HTML Jon Baldwin
An Economy of Annihilation, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture HTML Daniel Herbert
Apocalypse Too Soon, on Wheeler Winston Dixon's Visions of the Apocalypse: Spectacles of Destruction in American Culture HTML Karin Badt
Between the Carnival and the Panopticon, on Scott Bukatman's Matters of Gravity: Special Effects and Supermen in the 20th Century HTML Mary Helen Kolisnyk
Analogue Film, Digital Discourse, on Sean Cubitt’s The Cinema Effect HTML Richard Misek
Reply to Richard Misek HTML Sean Cubitt
If This Retrofuturistic Flu Goes On..., on Future Cinema: The Cinematic Imaginary after Film, edited by Jeffrey Shaw and Peter Weibel HTML Mark Bould
Vol 9, No 4 (2005) - World Cinema / Bresson, Resnais, Carax / Analytic Film Philosophy
Antonioni's Blowup: Freeing the Imaginary from Metaphysical Ground HTML Elena del Rio
Please Make More Films, on The Cinema of Terrence Malick: Poetic Visions of America, edited by Hannah Patterso HTML John Bleasdale
Cinematic Ideas, on David Lynch's Mulholland Drive HTML Robert Sinnerbrink
The Reinvention of Self and World, on Aleksandar Dundjerovic's The Cinema of Robert Lepage: The Poetics of Memory HTML Ed Keller
Cunneen's Bresson, on Joseph Cunneen's Robert Bresson: A Spiritual Style in Film HTML Robert W. Davis Jr
Response to Davis HTML Joseph Cunneen
Love and Catastrophe: Filming the Sublime in Hiroshima Mon Amour HTML Reni Celeste
Still Searching for Lost Time, on Jean-Louis Leutrat on Resnais's L'Annee derniere a Marienbad HTML Jeremy J. Shapiro
Response to Shapiro HTML Jean-Louis Leutrat
Carax and the Ambiguities - A Book That Needs To Fail, Perhaps, on Fergus Daly and Garin Dowd's Leos Carax HTML Greg Hainge
Carax - Philosophy in Film: On Daly and Dowd's Leos Carax HTML Isabelle Vanderschelden
Carax and Deleuze - Shuffling the Decks, a short reply to Hainge's review HTML Garin Dowd
The Measure of Cinema?: Per Persson's Understanding Cinema HTML Andrew Court
Irving Singer's Reality Revisited, on Three Philosophical Filmmakers: Hitchcock, Welles and Renoir HTML Susan French Overstreet
Style and Methodologies, on Noel Carroll's Engaging the Moving Image HTML Thomas Wartenberg
Cities of Words, Cities of Cinema: Stanley Cavell's City of Words HTML Michael Grant
Reply to Grant HTML Stanley Cavell
Vol 8, No 1 (2004) - British, German, French Cinema
Disciplining Marnie, on Tony Lee Moral Hitchcock and the Making of Marnie HTML Bob Davis
Between Order and Chaos, on Peter Greenaway's Postmodern/Poststructuralist Cinema, edited by Paula Willoquet-Maricondi and Mary Alemany-Galway HTML Trevor G. Elkington
Realism, Politics, and Melodrama, on Jacob Leigh The Cinema of Ken Loach: Art in the Service of the People HTML Florian Grandena
Rereading the British Social Realist Film, on Samantha Lay British Social Realism: From Documentary to Brit-Grit HTML Jonathan Wright
The Semiosis of Death in Lang's M: Film and the Limits of Representation in the Weimar Republic HTML Joel Freeman
The Perils and Possibilities of Story, on Alexander Graf The Cinema of Wim Wenders: The Celluloid Highway HTML Peter Ruppert
German Cinema History as Rhizome, on The German Cinema Book, edited by Tim Bergfelder, Erica Carter, and Deniz Gktrk HTML Angelica Fenner
Le Petit Theatre de Renoir, on Martin O\'Shaughnessy Jean Renoir HTML Michael Abecassis
Rethinking Renoir, a reply to Michael Abecassis HTML Martin O'Shaugnessy
B.B., on Sue Harris Bertrand Blier HTML Victoria Reid
Reading Beineix, on Phil Powrie Jean-Jacques Beineix HTML Florence Martin
Vol 8, No 2 (2004)
Gestural Cinema?, on two texts by Giorgio Agamben, 'Notes on Gesture' (1992) and 'Difference and Repetition: On Guy Debord's Films' (1995) HTML Benjamin Noys
The Time-Image: Deleuze, Cinema, and Perhaps Language HTML Thomas Carl Wall
Thus Spake Nietzsche?, on Heide Schluepmann Abendroethe der Subjektphilosophie: Eine Aesthetik des Kinos HTML Paul M. Malone
Spinoza and the Politics of The Matrix, on Matrix, machine philosophique HTML Duncan Chesney
Howls for Debord, on Guy Debord: Complete Cinematic Works, translated and edited by Ken Knabb HTML Benjamin Noys
Adaptation, 'Adaptation', and Adaptation: Zizek and the Commonplace HTML Natalia Skradol
On the Writings of Dai Jinhua, a review of Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, edited by Jing Wang and Tani E. Barlow HTML Paul Fox
Modern Dreams and Postmodern Realities: The City as Spatial Archetype in Screening the City, edited by Mark Shiel and Tony Fitzmaurice HTML Michele Braun
Crime and its Consequences Under the Panopticon, on Gareth Palmer Discipline and Liberty: Television and Governance HTML David Tucker
Passeurs: Jonathan Rosenbaum and the New Global Film Criticism, on Essential Cinema, Movie Mutations (edited with Adrian Martin), and Movie Wars HTML Robert Koehler
Introducing Avant-Garde Film, on Michael O'Pray Avant-Garde Film: Forms, Themes and Passions HTML William C. Wees
Prelude to the Philosophy of Hollis Frampton HTML Matt Teichman
A Deceptively Slender Volume, on Nathaniel Dorsky Devotional Cinema HTML Daniel Barnett
Searching for Balanced Vision, on Nathaniel Dorsky Devotional Cinema HTML Glen W. Norton
Lost in Space, on Jane and Louise Wilson, with essays by Jeremy Millar and Claire Doherty HTML Maria Walsh
Vol 8, No 3 (2004) - World Cinema and Film Theory
Realism, Dream, and 'Strangeness' in Andrei Tarkovsky HTML Thorsten Botz-Bornstein
Hungarian Rhapsody, on John Cunningham's Hungarian Cinema: From Coffee House to Multiplex HTML Peter Ruppert
Wajda's Films Bequest the Irony in Polish History, on The Cinema of Andrzej Wajda edited by John Orr and Elzbieta Ostrowska HTML Hedwig Gorski
What is Love?, on 20 Fingers, a Tehran-set film by Mania Akbari, star of Kiarostami's Ten HTML Dorna Khazeni
Studying (the Theoretical Analysis of) Contemporary American Film, on Thomas Elsaesser and Warren Buckland's Studying Contemporary American Film: A Guide to Movie Analysis HTML Brian E. Butler
Cognitivism: Use it or Lose it, on Film Style and Story: A Tribute to Torben Grodal, edited by Lennard Hojbjerg and Peter Schepelern HTML Andrew Browne
Theorizing the Couple, on Martha P. Nochimson's Screen Couple Chemistry: The Power of 2 HTML Mike Chopra-Gant
Reply To Mike Chopra-Gant HTML Martha P. Nochimson
Vol 7, No 1 (2003)
One Culture, Two Cinematic Nations: Hyangjin Lee Contemporary Korean Cinema: Identity, Culture, Politics HTML Hye Seung Chung
The Auteur of Darkness: Chris Fujiwara Jacques Tourneur: The Cinema of Nightfall HTML Ronald W. Wilson
Derrida Framed, on Kirby Dick and Amy Ziering Kofman Derrida (2002) HTML David Roden
Small World, on Deborah Thomas Beyond Genre: Melodrama, Comedy and Romance in Hollywood Films HTML Ken Mogg
Hollywood Spaces, on Deborah Thomas Reading Hollywood: Spaces and Meanings in American Film HTML Mike Chopra-Gant
A Reply to Mogg and Chopra-Gant HTML Deborah Thomas
This is Cinema: The Pleated Plenitude of the Cinematic Sign in David Lynch's Mulholland Dr. HTML Daniel Coffeen
Letter from London, on Chris Petit, Abbas Kiarostami, Lynne Ramsay, Iain Sinclair, J. G. Ballard, and Surveillance Cinema HTML Chris Darke
Why Bother with Cinema?, on Paolo Cherchi-Usai The Death of Cinema: History, Cultural Memory and the Digital Dark Age HTML David Sorfa
The Database, Logic, and Suffering: Memento and Random-Access Information Aesthetics HTML Christopher Bodnar
The Voice and Masculinity, on Close Up: Cinema and Modernism 1927-1933, edited by James Donald, Anne Friedberg, and Laura Marcus HTML Paul McEwan
Letter from Tehran HTML F. Parsa
On the Fortieth Anniversary of Borom Sarret, on Ousmane Sembene's 1963 Film HTML Andrea Dahlberg
The Context for Reproducing Knowledge, on Colin MacCabe The Eloquence of the Vulgar: Language, Cinema and the Politics of Culture HTML Daniel Keyes
Vol 7, No 2 (2003) - Television Studies
Television at a Distance, on John Corner Critical Ideas in Television Studies HTML Rosemary White
Keeping a Distance: A Response to Rosemary White HTML John Corner
Critiquing the Critics, on Teleparody: Predicting/Preventing the TV Discourse of Tomorrow, edited by Angela Hague and David Laver HTML Jonathan Gray
Response to Jonathan Gray HTML David Lavery
Vol 7, No 3 (2003) - Science-Fiction Film as Philosophy
Selling Space, on King and Krzywinska Science Fiction Cinema: From Outer Space to Cyberspace HTML Anna Powell
Other Bother: The Alien in Science Fiction Cinema, on Aliens R Us: The Other in Science Fiction Cinema, edited by Ziauddin Sardar and Sean Cubitt HTML Jon Baldwin
Screening the Postmodern, on Vivian Sobchack Screening Space: The American Science Fiction Film HTML Lysa Rivera
In Kubrick's Crypt, a Derrida/Deleuze Monster, on 2001: A Space Odyssey HTML Richard I. Pope
Is Film the Alien Other to Philosophy?, on Stephen Mulhall On Film HTML Nathan Andersen
Alien Ways of Thinking, on Stephen Mulhall On Film HTML Julian Baggini
Ways of Thinking: A Response to Andersen and Baggin HTML Stephen Mulhall
Vol 7, No 4 (2003) - Psychoanalytic Film Theory
Waiting for Dawn to Break, on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom HTML Rebecca M. Gordon
The Parallax Review, on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom HTML Jamie Clarke
Film Theory, Psychoanalysis, and Figuration, on Endless Night: Cinema and Psychoanalysis, Parallel Histories, edited by Janet Bergstrom HTML Briana Berg
Our Friend Žižek, on The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory, by Slavoj Žižek HTML Richard Stamp
Right Direction, Wrong Turning, on The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory, by Slavoj Žižek HTML John Orr
Vol 7, No 5 (2003) - Soviet and Asian Cinemas
A (Ukrainian) Life in Soviet Film, on George O. Liber Alexander Dovzhenko: A Life in Soviet Film HTML John Riley
Re-examining Dovzhenko's Political Environment: A Response to Riley HTML George O. Liber
The Radical Capability of Rashomon HTML Robert Castle
Sokurov's Russian Ark HTML Dorota Ostrowska
Kojeve's Masters and Slaves, Kurosawa's Samurai and Farmer HTML Aakash Singh
Never Forfeit the Self: The Art of Zhang Yimou HTML Sheila Petty
The Poverty of Sociological Studies of Hong Kong Cinema, on Lisa Odham Stokes and Michael Hoover City on Fire: Hong Kong Cinema HTML Karen Fang
Comments on Karen Fang's Review of City on Fire: Hong Kong Cinema HTML Lisa Odham Stokes, Michael Hoover
Vol 7, No 6 (2003) - Film History, Theory and Philosophy
Moving Pictures before Cinema, on Laurent Mannoni The Great Art of Light and Shadow: Archaeology of the Cinema HTML Richard Schellhammer
Change and Nothing But Change, on Philip Rosen Change Mummified: Cinema, Historicity, Theory HTML Jan-Christopher Horak
On Behalf of the Audience: A Critique of Janet Staiger's Notion of the Practice of Reception, on Staiger Perverse Spectators: The Practices of Film Reception HTML Joke Hermes
Remembrance of Cinema Past: Reading Nostalgia and Writing Possibility in Annette Kuhn Dreaming of Fred and Ginger HTML Kristi McKim
Traveling in Film Theory, on Giuliana Bruno Atlas of Emotion: Journeys in Art, Architecture, and Film HTML Marcia Landy
A Universal Narrative?, on Ari Hiltunen Aristotle in Hollywood HTML John S. Vassar
How is Disbelief Suspended?: The Paradox of Fiction and Carroll The Philosophy of Horror HTML Pablo Ortega-Rodriguez
Ethics, Ambiguity, and Multi-Frame Narrative in Julie Talen Pretend HTML Cara O'Connor
Vol 7, No 7 (2003) - Paracinema: The Experimental, the Avant-Garde and the Digital
Through the Pleasure Dome, on Lux: A Decade of Artists' Film and Video, edited by Steve Reinke and Tom Taylor HTML Kyle Harris
Reflections on Experimental Film, on The Undercut Reader, edited by Nina Danino and Michael Maziere HTML Liz Wells
Beyond Abstract Film, on Malcolm Le Grice Experimental Cinema in the Digital Age HTML Edward S. Small
Let us Never Speak of It?, on Edward S. Small Direct Theory: Experimental Film/Video as Major Genre HTML Tammy A. Kinsey
A Reply to Kinsey HTML Edward S. Small
Aesthetic Contradictions and Ideological Representations: Anarchist Avant-Garde vs Swashbuckling Melodrama, on Richard Porton Film and the Anarchist Imagination HTML Vittorio Frigerio
Vagaries of Taste, or How 'Popular' is Popular Culture?, a reply to Vittorio Frigerio HTML Richard Porton
The Birth of Software Studies: Lev Manovich and Digital Materialism, on Manovich The Language of New Media HTML Michael Truscello
Film Theory Meets Video Games: An Analysis of the Issues and Methodologies in ScreenPlay, edited by Geoff King and Tanya Krzywinska HTML Aaron Smuts
The Figural as Interface in Film and the New Media, on D. N. Rodowick Reading the Figural, or, Philosophy after the New Media HTML Warwick Mules

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