The British Society of Aesthetics’ Postgraduate Journal of Aesthetics
Vol. 6, No. 1 April 2009
Art for Art's Sake in the Old Stone Age, Gregory Currie
Advancing an Ontology of Stories, Geoff Stevenson
Fictional Hierarchies and Modal Theories of Fiction, Johannes Schmitt
Vol. 5, No. 3 December 2008
Vol. 5, No. 2 August 2008
Can Film be a Philosophical Medium?, David Davies
The Problem with Sentimental Art, Nada Gatalo
A Derridean Approach to Musical Identity, Laurel Ralston
Vol. 5, No. 1 April 2008
Bob Little Jim Bluebottle and The Three Stooges, Stephen Davies
The Return of Photographs as Genuine Prostheses, Inés de Asis
Mechanical Recording in Arnheim's Film as Art, Yvan Tétreault
The Problem of the Fictive Stance, Thomas Wolstenholme
Vol. 4, No.1 April, 2007
Can Aesthetic Theories of Art Be Rescued From the Problem of Avant-Garde and Other Non-Perceptual Artworks?, Angharad Shaw
The Role of Aesthetic Experience, Anil Gomes
Vol. 4, No. 2 August 2007
Expression and Expressiveness in Art, Jenefer Robinson
The Reinvention of Genius, Menno Boogaard
Vol. 4, No. 3 December 2007
A Critical Assessment of the Role of the Imagination in Kant's Exposition of the Mathematical Sublime, Richard Stopford
Aesthetic Contextualism, Jerrold Levinson
Vol. 3, No. 3 December 2006
Can One Be a Quasi-Realist About the Aesthetic?, Christopher Dowling
Vol. 3, No. 2 August, 2006
Actual Intentionalism, Interpretation, and Ethical Criticism, Matthew C. Braddock
Resemblance as Repleteness: A Solution to Goodman's Problem, Daniel Barnes
Thoughts on the 'Paradox' of Fiction, Kathleen Stock
Vol. 3, No. 1 April, 2006
There's a Nice Knockdown Argument for You: Donald Davidson and Modest Intentionalism, Kalle Puolakka
Freedom and Receptivity in Aesthetic Experience, Ronald Hepburn
Vol. 2, No. 3 December, 2005
Convention and Difference, Rufus Duits
Individual Style After the End of Art, Regina Wenninger
Vol. 2, No. 2 August, 2005 Special Issue: Philosophy Of Music
Restating the Case for Representation in the Philosophy of Opera, Daniel Gallagher
Musical Feelings and Atonal Music, Elina Packalén
I Never Heard No Horse Play Guitar, Nick Jones
Musical Works and Performance Evaluation, António Lopes
Conceptual and Nonconceptual Modes of Music Perception, Mark DeBellis
What do we Understand in Musical Experience?, Guy Dammann
Vol. 2, No. 1 April, 2005
Playing the Game After the End of Art: Comments for Hans Maes, Kalle Puolakka
Evaluative Standards in Art Criticism: A Defence, Julia Peters
Directions for a New Aestheticism, Jeffrey Petts
Why does Feminism Matter to Aesthetics?, Joshua Shaw
Vol. 1, No. 3 December, 2004 Re-Discovering Aesthetics
Re-Discovering Aesthetics, Francis Halsall, Julia Jansen and Tony O'Connor
Indiscernable Properties, Discernable Artworks, Maria Jose Alcaraz
Vol. 1, No. 2 August, 2004
Pictorial Representation and Moral Knowledge, Katerina Bantinaki
Conceptual Art, Social Psychology and Deception, Peter Goldie
Vol. 1, No. 1 April, 2004
Reflections on Current Trends in Aesthetics, Peter Lamarque
Imagination, Attitude and Experience, Cain Samuel Todd
Impressions of Reflection and the End of Art, Gary Jaeger
Heidegger and Metaphysical Aesthetics, Rufus Duits
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